Holding Onto Nothing To See How Long Nothing Lasts
- Year
- 2020
- Medium
- Video, 4:18 min, assembled unedited from “live” photographs
- With
- Elana Katz
- Exhibited
- With Elana Katz’s site-specific installation, House for the End of the World, Berlin, 2020
- Published
- Protocols Online Journal, Edition #8
An installation in House for the End of the World is situated in what is believed to have once been a bedroom. A wooden platform base that references a bed, a pillow made of an undefined white powder, and a fan above that subtly, nearly imperceptibly, blows the powder away. In the corresponding video, the artist is creating her pillow to perfection, redefining circumstances of “comfort,” allowing the pillow to blow away at will, and, likewise, to transfer onto her skin and the space surrounding. A continued sweeping, scraping, resting, building the surface.
This action is captured by Dario Srbić in a series of “live” photographs. The photographs are then assembled — unedited — resulting in this video. The relationship between Katz as the subject and the never-seen camera operator is markedly undefined. The fragmented interaction creates an uncertainty of the dynamics of power, intimacy, and control that are active in the room. Holding onto Nothing to See How Long Nothing Lasts, in both its parts, examines symbols of home, comfort, and attachment — all in relation to the dysfunctional.